Jonathan Boulet – Jonathan Boulet
Luckily for you, and for me, and for Modular (he was signed just a few months ago), and even Mr Boulet himself, I’m going with the former. This album IS good. The dude does possess some great song writing skills. I don’t really know what he reminds me of. It’s a little all over the place, but I think that’s what’s good about the album. There are obvious standouts like A Community Service Announcement and 321 Ready or Not. But then there’s also the opener, Continue Calling, a track that sounds so laid back and is such a great example of that DIY feel that he seems to have mastered on this album. The vocal harmonies, especially when they’re left on their lonesome half way through the track, just sound so easy.
I could go on about every track…but I won’t bore you too much. They’re all pretty darn good. I don’t know if I can put my finger on it, but there’s almost this feeling of sadness that stays with you throughout the album. Ones Who Fly Twos Who Die (Track 2) and You Never Knew Me (Track 3) really get this going. It’s not a depressing sadness or anything extreme. It’s just this feeling that something wasn’t right or…look…I dunno really. It’s really hard to put my finger on exactly what it is.
However, from this initial sadness, it goes a little bit crazy. 321 Ready or Not is such a great song. It pushes, it’s relentless, it feels as though it’s messed with my head just a bit. And that’s really good. I reckon this one would go off live.
Then that sadness kicks back in. 10 Billion Years is actually kinda sweet though. The glockenspiel in the background, the backing vocals provided by Rebecca Shave. They both add a particular sweetness to the track.
There’s electro stylings and glitchiness in Lay Off The Streets For A While, Adam of Zilla, and North To South East To You. And he fuses that in really really well. Something else that plays a really important role in making the album what it is is the musical ability of this fella. He played nearly all of the instruments you hear, and recorded them all by himself in his garage. Something pretty bloody impressive for a dude who just hit 21.
So yeah, this album will definitely find a place in my albums of the year list in a few weeks. There’s just something about an artist that seems to not really care about what people will think of his music. Or at least gives that impression. And the fact that he did it all himself blows me away.
So bloody glad I bought it.
K. That’ll do the ramble for now.