Yep. Here it is. Smack bang, ready for that little nostalgia comedown that is New Years Day.
As I alluded to in the 20-11 post on Monday, this year has been a fucking full on one. It compromised of a move interstate, and heading back to uni (although I’m not sure if you can really call doing a PhD going back to uni – prolly more like doing a full-time fucking job times about 3). Those weren’t the only things that happened of course, but they were probably the two things that impacted most on maamf for 2013.
It’s also been a year when the maamf sister site MISMATCH.TV started to come into it’s own. And although it’s definitely got a bit to go and I feel as though it’s not yet at the level I reckon it can get to, it’s taken up a bit of time as well. (However, a massive thanks to my good mates/mismatchians/Melbourne music loving fanatics Lauren and Sabi for making mismatch what it is, and making that time enjoyable).
Anyway, these are the 10. The ones that I kept on returning to this year. It’s much more of a personal list this year, with a few albums either reminding me of Melbourne, and others welcoming me into the city of Sydney.
It also comes complete with a mixtape featuring two tracks from each album. Fuckin’ BUMPER. (more…)
So I dunno what a dog has to do with October. Or this mixtape. There’s not even a song that mentions a dog. But he’s a cute pooch (yeah, that’s right, I said a fluffy toy was cute, and I also called it a ‘he’. Well, actually, his name is Fang and he’s the raddest and, strangely, the quietest dog I think me or my housemates have ever had, but doge’s be kool homie. k? even stuffed ones).
But, anyway, the music? Yeah, well, October has been solid. Some excellent album and EP releases as well as some really excellent one-off singles. Too many (13 to be precise) to list off right now, but man, get this bloody thing inta ya.
DOWNLOAD (Right Click/Save As)
Japanese Wallpaper – Breathe In (ft. Wafia) (Right Click/Save As)
COVERS – The Automation
Early Woman – Feathers
Motion Picture Actress – Water Lyf
Ry – The Breakdown (Right Click/Save As)
World’s End Press X Client Liaison – Video Life
Panama – Always (Wave Racer Remix)
Seagull – All For One
courtney barnett – anonymous club
Black Cab – Games Of The XXI Olympiad
Keep On Dancin’s – Grey Ghost (Right Click/Save As)
The Ocean Party – Quarter Life Crisis
The Ancients – Night Bus
Here it is. Smack bang, ready for your shortened week (if you were lucky enough to just have a long weekend that is. Soz if not).
As always, the tape runs all over your genres, from some of that lovely jangle pop to some grungy stuff to whatever on earth Cut Copy are doing nowadays. And that new edit from The Avalanches makes me hard.
DOWNLOAD (Right Click/Save As)
James X. Boyd – Paul K. & The Downtown Specials
The Stevens – Hindsight
King Gizzard & The Lizard Wizard – I Am Not A Man Unless I Have A Woman
Cull – World Inside Your Head (Right Click/Save As)
Violent Soho – Saramona Said
Naysayer & Gilsun – All That Good Work
Cut Copy – Free Your Mind
Hunters & Collectors – Talking To A Stranger (The Avalanches Rework)
World’s End Press – Reformation Age
Martin King – I’ll Be
Animaux – Alaska (Right Click/Save As)
Amaya Laucirica – Found Some Secret
The Ancients – Hey Now
Jonti x Big Scary – Slumming It In Paradise
Paul Macadam – Hackit (Right Click/Save As)
Brand new jam from Melbourne fellas World’s End Press, a band who is finally releasing their debut album in the second half of this year. New single ‘To Send Our Love’ is almost a little darker than previous work, and with Tim Goldsworthy (of DFA records) at the helm, the production is fucking mint too.
The gents are doing a run of shows to help launch the new single. If you’re in Sydney, make sure you check them out at Brighton Up as they play three Thursday nighters there throughout August. Full tour details here.
So, this is perhaps the latest a mixtape has ever been…a little over a month late. Pretty abysmal I know.
But you know what, it’s a fucking good tape.
Bewilderbeast – Push’d Out
Jonathan Boulet – This Song Is Called Raggard
Muscles – Ready for a Fight
World’s End Press – Second Day Uptown
Major Lazer – Get Free (Feat. Amber of Dirty Projectors)
Capital Cities – Kangaroo Court
Van She – Idea of Happiness
If you dig what we do on maamf, then vote for us in the pedestrian.tv blogster awards. All you need is a facebook account!
Really really really enjoying this new track from Melbourne disco wonderkids World’s End Press. The single got it’s debut over on Mess & Noise, and I’ve been visting that page ever since because I couldn’t find an actual direct soundcloud link! Tricky work fellas.
But now, it’s gone live, and as soon as I jumped online this morning, it was over to iTunes to download the badboy.
Dan Whitford helped them out with this track…and you can tell. The whole sound is a little more produced than the stuff on the Faithfull EP. Having caught them live at Laneway last year though, I think this track would work as well live as their earlier stuff. Those synth stabs in the chorus would surely make people go ape shit.
The guys’ debut full length is coming out later on in the year, and going by the first cut, looking forward to it a heap!
ok, so this is nearly a week late sure, but you know what? I got there. Took me ages, but I got there.
Laneway Festival last weekend was killer. The venue is amazingo, and man, that lineup…jeepers. When I reviewed last years, I wrote something along the lines of it being a music bloggers wet dream. Well, this years was more like I actually meant to do it, not any of this of crap, look at the mess I’ve made during my sleep. This years was more like, let’s make more mess and stay awake and do some more.
Ok, so enough of the wank talk.
The first band we saw was The Holidays. We actually missed Buchanan due to the whole floods thing that happened last weekend. Took us a little longer to get to the venue. Pissed off I missed Buchanan, but glad I caught some of The Holidays set. If these guys were to play in a few years time at Laneway, I think their set would be mid afternoon, not one of the openers. No secret about my love for the guys, they’re album of last year made my top 10, and Broken Bones was one of my fave tracks from last year. They’re gonna get heaps big me thinks. Live, they’re really solid. I remember remarking to my mate that they’re heaps tighter than the last time we saw them (supporting Bluejuice early last year). Band on ze rise me thinks.
After Holidays, we caught some of World’s End Press. Same with Holidays, I reckon these guys will be closing a stage in a few years time. But that’s more because they’re stuff suits a bit more of a late night thing. Watching they’re pretty darn stellar disco indie stuff at 1 in the afternoon was kinda strange. But man, they do rock it live. I’d heard things about these boys, and now I know it’s true. Definitely a band that will be up there with Cutters and Juggers as big amazing Aussie bands doing big amazing things os.
World’s End Press – Faithful
From World’s End Press we went a little dark. PVT were good. But I dunno, there seemed to be something lacking from their set. I like them, but to be honest, I only have their last album. They were good, but yeah, something lacking. We left these guys and saw a tiny bit of Jenny and Johnny. These guys were pretty great. Indie guitar pop lovey dovey shit. But it’s good.
Until then, the bands were good, but if I went home at that point, I wouldn’t have been that happy with it all. The bands were all really good, but I didn’t have that moment where you go home thinking man, let’s not ever forget that.
Then we saw Beach House. To say that they were good, well, man. They were in my top three of the day, easily. Maybe 2nd best. Victoria is one of those indie goddess babes that you only think about seeing live. Teen Dream was massive here – made #2 on my albums list. Everything about them was great. I remember thinking ‘man, this is swoons galore’. supes was. Tracks like Zebra and Norway definitely helped the swooning.
Beach House – Norway
After Beach House, things got interesting. The intention was to go an check out Blonde Redhead, but they had swapped spots with Holy Fuck. So we decided to stay at this stage and check out Two Door Cinema Club. I wasn’t that fussed on these guys before Laneway. They can write some amazing pop songs, but they didn’t really do it for me. That, and I was sceptical about them live. Their songs are so quick and tight that I thought they wouldn’t be able to pull it all off. I was mistaken though. After a massive wait (40mins and missing out on Holy Fuck) and seeing the crowd go crazy apeshit, they actually pulled it off damn well. It still lacked something for me though. But that probably says more about my music snobbery than anything else.
Next up was Yeasayer. We were towards the back for these guys, so I think I missed out on the best parts, but tracks like O.N.E., Madder Red and Ambling Alp were all massive, and tight and killer. After those dudes we managed to check out a tiny bit of Ariel Pink’s Haunted Graffiti, and man, gold pants? Really? I didn’t get these guys at all.
Then it was off to check out Blonde Redhead in their later timeslot. These guys were easily the surprise of the day. I knew they had good songs, but wow. They were tight as hell, had that super loud wall of sound thing going on, and well, then there’s the songs. Pop song perfection these guys are. So glad I was these guys.
Blonde Redhead – Spring And By Summer Fall
And then there was Cutters.
Although their set incorporates a bit of techy stuff (I love tech, but I think I love In Ghost Colours so much that it skews what I hear just a bit), they were solid. They even had a door onstage, which although it was a little wanky, kinda worked. People thought that the only reason they had it on stage was so that they could enter the stage that way (mind you, the door was front and centre). They did enter the door that way, and you could tell that even they thought it was a little funny. But then, man, that door had some magic powers or something. It moved around, they’re were images on it, it was it’s own little light show. It was having a party. And so were we (bad segue anyone?!). I love Cutters and probably will until I die. Anything they do, I love (and I’m sure i’ll love Zonoscope after a few more listens).
Out There On The Ice seems to be nearly everyone’s favourite track of there’s. Don’t even think it’s was released as a single, but they always pull it out live. I loved them. Can’t say it enough.
Cut Copy – Out There On The Ice
All in all, it was pretty darn good. Food didn’t run out also which was a good thing. Bring on next year. The guys always put on a great festival.
ok. So, for the second time in as many years, a new Avalanches album has made the Home & Hosed‘s Album’s of the new year list.
And here’s hoping that they actually do put out a new album this year, some 11 or so years after their debut.
Anyway, enough of the Avalanches anxiety. There are some pretty exciting albums on this list.
The ones I’m looking most forward to are:
FEB – Cut Copy – Zonoscope (Modular/Universal)
MAR – Collarbones – Iconography (Two Bright Lakes/Remote Control), The Little Stevies – Attention Shoppers (Independent), Oh Mercy – Great Barrier Grief (Capitol/EMI)
APR – Mike Noga – The Balladeer Hunter (TBC)
JUNE – Nick Huggins – TBA (Two Bright Lakes/Remote Control)
AUG – Big Scary – TBA (Independent)
NO MONTH YET – Alpine – TBA (Ivy League), The Avalanches – TBA (Modular/Universal), Jonathan Boulet – TBA (Modular/Universal), Geoffrey O’Connor – TBA (Chapter Music), The Grates – TBA (Dew Process/Universal), Gotye – TBA (Independent/Eleven), Jack Ladder – TBA (Spunk/EMI), The Middle East – TBA (Spunk/EMI), No Device – The Devil Makes Work For Idle Hands (Independent), Pnau – Soft Universe (Warner Music), Rat Vs Possum – TBA (Sensory Projects), Seekae – TBA (Rice Is Nice), The Twerps – TBA (Chapter Music), World’s End Press – TBA (Love & Mercy)
You can access the full list here.
And of course, some music, to get you in the mood.
The Little Stevies – Feel It
Seekae – Blood Bank
Oh Mercy – Keith St.
World’s End Press – Faithful