Posts tagged “The Ocean Party

JULY ’15 MIX.

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I was going to begin this month’s with some long winded metaphorical ramble about names and hey, what’s in a name you know?

Big statements make us take notice. That immediate impact, no matter what, can be pretty hard to forget. Statements that are distinctive in their voice, in their makeup, hey even in their words.

It looks like a scene from The Great Gatsby out my window – a low lit swimming pool with young, attractive people, cavorting around, champagne in hand. They’re making impacts. Drunk, flirtatious immediate impacts. You’ll see what’s underneath those pert bods soon, the distinct beings that they are. But for now, those quick smacks in the face’ll do you.

A tape, full of everything, all marked and unmistakable in what they’re conveying. All for you. And please try the download – you won’t regret it (ha mate, hopefully).

DOWNLOAD (Right Click/Save As)

Miks


THE OCEAN PARTY.

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I reckon in a couple of weeks you’ll be hearing ‘Australia’s answer to Real Estate‘. And although some of those comparisons can be pretty lazy, I feel as though this one is accurate, in a way. The Ocean Party aren’t an answer to anything in particular, especially not another band from a bigger country who music writers in Australia always seem to believe we play second fiddle to.

The band’s new album however does feel like a progression in sound. It sounds fucking confident, but not in a cocky way. Confident in the same way that Real Estate sound confident. It’s dreamy, but still really quite messy in parts too. Their last album was a big old fave of mine. I reckon Soft Focus will be too. It’s such a step up from anything else I’ve heard from them.

The new single from the album, due out October 31 through Spunk is ‘Head Down’. It’s dreamy and warm sounding and Lachlan’s vocals are complimented beautifully by Snowy’s guitar line and that lush rhythm section. And it’s a bloody great example of a band with a more pronounced and slightly elevated sound. And the clip? I mean, what’s better that watching five handsome fellas play the track with some marvellous shirts? It’s Snowy, standing solo playing on a Melbourne rooftop ripping that sax. What more could you want?

If you don’t end up loving this album, then mate, think there’s something wrong.

[EDIT 9/10/14] Well, actually, this has been edited a little bit already coz the writing wasn’t too crash hot, but anyway. Spunk have since put the track up on soundcloud as a free download. Stream/download below.

Miks.


AUGUST ’14 MIX.

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woah nelly. big ol’ tape for your little sunday evening/early monday morning/another time of the day on another day all together.

18 big ones this time ’round because, 1, i am feeling generous, 2, there were that many great tracks from August that I didn’t get round to actually posting individually, and 3, because i’ve had a big month…something…metaphor?

So, at the risk of sounding like a broken compact disc, this one’s got a bit of variety, something for every boy and girl. And something for mum and dad too if they play their cards right. And a couple of cards on show tonight/today/whenever the hell you are reading this thing are:

The Peep Tempel – massive Eddy Current vibes with this one all the while owning their own brand of aggressive punky rock’n’roll,

Jarrow – young kid – 18 I think, combining some pretty amazing garage style pop complete with some scissors and glue style electronic aggression,

Slow Dancer – Simon Okely, one of the other guys from Oh Mercy doing a real beaut of a song, all understated and full of style and some real pulled back instrumentation that blow me outta tha park a bit,

Moon Holiday – Some solo electronic pop that is big enough to hit hard, but with just enough darkness to help it standout from the rest,

and

Jesse Davidson – absolutely no shame in speaking about my love of this young man. this new track took everything he did, threw it all around to see what stuck and kinda re-invented his sound a little, all the while keeping that soulfulness he’s becoming known for.

So, please have a stream and a listen. And if you like, grab the whole tape as a download just below. I even tried to mix some songs together in a way that didn’t sound as bad as i thought it probably would.


DOWNLOAD THE WHOLE TAPE (Right Click/Save As)

Miks


BEST OF 2013 – TRACKS

2014-01-06 17.06.23Ok, so here we go. This thing is finally up.

I could go on about my year and how it’s been hard man, but this kid here is finding himself a little resolutionary so I is gonna stop with that ‘ahhhh phd’s are hard and everything else has suffered as a result’ line. This here is pretty simple. Got streams of all the tracks as well as a bloody mixtape with all of them in it n shit.

The tracks below are definitely not in any kind of order, that would be too hard. But, they are the tunes that received a hell of a lot of plays by both myself and you guys. So that’s kinda cool.

Freakin’ enjoy it you guys.

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BEST OF 2013 – ALBUMS [10-1]

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Yep. Here it is. Smack bang, ready for that little nostalgia comedown that is New Years Day.

As I alluded to in the 20-11 post on Monday, this year has been a fucking full on one. It compromised of a move interstate, and heading back to uni (although I’m not sure if you can really call doing a PhD going back to uni – prolly more like doing a full-time fucking job times about 3). Those weren’t the only things that happened of course, but they were probably the two things that impacted most on maamf for 2013.

It’s also been a year when the maamf sister site MISMATCH.TV started to come into it’s own. And although it’s definitely got a bit to go and I feel as though it’s not yet at the level I reckon it can get to, it’s taken up a bit of time as well. (However,  a massive thanks to my good mates/mismatchians/Melbourne music loving fanatics Lauren and Sabi for making mismatch what it is, and making that time enjoyable).

Anyway, these are the 10. The ones that I kept on returning to this year. It’s much more of a personal list this year, with a few albums either reminding me of Melbourne, and others welcoming me into the city of Sydney.

It also comes complete with a mixtape featuring two tracks from each album. Fuckin’ BUMPER. (more…)


OCTOBER ’13 MIX.

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So I dunno what a dog has to do with October. Or this mixtape. There’s not even a song that mentions a dog. But he’s a cute pooch (yeah, that’s right, I said a fluffy toy was cute, and I also called it a ‘he’. Well, actually, his name is Fang and he’s the raddest and, strangely, the quietest dog I think me or my housemates have ever had, but doge’s be kool homie. k? even stuffed ones).

But, anyway, the music? Yeah, well, October has been solid. Some excellent album and EP releases as well as some really excellent one-off singles. Too many (13 to be precise) to list off right now, but man, get this bloody thing inta ya.

DOWNLOAD (Right Click/Save As)

TRACKLISTING:

Japanese Wallpaper – Breathe In (ft. Wafia) (Right Click/Save As)

COVERS – The Automation

Early Woman – Feathers

Motion Picture Actress – Water Lyf

Ry – The Breakdown (Right Click/Save As)

World’s End Press X Client Liaison – Video Life

Panama – Always (Wave Racer Remix)

Seagull – All For One

courtney barnett – anonymous club

Black Cab – Games Of The XXI Olympiad

Keep On Dancin’s – Grey Ghost (Right Click/Save As)

The Ocean Party – Quarter Life Crisis

The Ancients – Night Bus

Miks


THE OCEAN PARTY.

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So here’s a splendid new jam from The Ocean Party. ‘Split’ is the first taste and title track from the bands 3rd album due out September 27. It’s also their first album on that excellent label SPUNK.

If you know The Ocean Party already, then you’d know that there’s a bit of sharing going on. Not only are all the members also members of other great bands, but they’re also all songwriters, and share writing and singing duties in the band. ‘Split’ showcases the rather memorable vocals of Curtis Wakeling who also sings in Velcro drummer Zac Denton, who sings in Ciggie Witch (thanks to everyone who picked me up on that – embarrassment).

This is local songwriting at it’s greatest – that commanding guitar riff on top of the drum and bass groove holds this song together. That and Curtis’ laconic, and honest vocals. Instant classic anyone?

Miks