JANUARY+FEBRUARY ’16 MIX.
As I sit writing this post, I remind myself that this has been a long time coming.
As slight changes emerge within my day to day life both with this site, new silly ventures, and PhD and work life, I remind myself that all of this has been a long time coming. As I finish off with Hayden Calnin’s masterpiece of a track ‘Cut Love’, I steady myself. Feet firmly on the floor and the words flowing steadily from my hands, appearing on the screen in front of me.
All of this. Everything leading up to this very point in time.
As I sit with old favourites like Arthur Wimble, LANKS, and Ciggie Witch, I mark out my territory. And as I sit and be floored again by Marcus Whale, Luke Howard, and LUCIANBLOMKAMP, I wipe away those old tears. And then with those new infatuations – Alice Ivy, Isabel, and the almighty Dogood, I slowly fall back into a feeling of warmth and knowing and remind myself.
This has been a long time coming.
For some time now I’ve made it a habit to talk around the music. This was how you write. The story on Catalyst the other night about music being used to elicit memories for people living with dementia as they sit, still in those old people’s homes I became convinced that fuck it. What’s the point. If music can do that then it’s indescribable. You’re always going to do it a disservice.
But then I read those others who also do music writing. Those others who write about the music itself. None of it’s perfect, but that’s the fuckin’ beauty of it. This game is about getting close, slowly scraping away at the surface and finding some through line, no matter how long/short/narrow/wide and having that one person sit back and think, ‘fuck, that’s it. that’s what I hear.’
As I start afresh, I see that I’m here. This is where I was heading.
JULY ’14 MIX.
Oh man! This be all nuts and stuff. Holidays are an amazing thing, and so is travelling down to see all those friends and family you left back down there. I actually think I might re-listen to this tape on my flight home. Prolly the correct length too.
Anyway, gosh, mate, enough of my crazy travel exploits (not that crazy, or exploitative even). This here tape is full to the brim of some real maamf faves. Maybe it’s the fact that it’s mid-year and I haven’t done that list that everyone else has done. Maybe it’s the fact that all my old maamf faves actually put out some killer tracks in July. Either way, the tapes a bloody bonza listen k?
A few little mentions though. Our mate Snowy Nasdaq joked that I should call these MiksTapes and then recoiled from that idea suggesting that perhaps I had thought of it already. To be honest Snowy, it did cross my mind early on, but I thought no one would take me seriously. Maybe I’m wrong? On the music front though, the guy is going from excellent to excellent with his one single a month thing. Seriously, the man knows his way around a wonky pop tune.
I also thought that this blog may run the risk of becoming the Laura Jean fanpage. Her new single ‘Don’t Marry the One You Love’, the second off her new self-titled album due out in a couple of weeks, is so much more upbeat sounding than ‘First Love Song’. The name doesn’t suggest that though – it still has that trademark world-weariness that Laura is becoming pretty well known for.
And finally, Flube. To put it simply, when you come across a good remix, it’ll most likely get a run. The new Seekae stuff is nice, but I gotta be honest, it’s taking me a while to get into it proper. There’s something about the whole Alex Cameron singing thing that although works in his super niche solo project, doesn’t resonate as much within the context of a band who have gone some way to define Australian electronic music. Maybe it’s the fact that it makes it a little more accessible, but the Flume remix still stays a little weird. It also hits reasonably hard. And maybe it’s the #clubbanger in it, but I like it over the original.
This month we’re also experimenting with a playlist of the tracks in soundcloud. The only track not on the playlist that is still in the tape is the Straight Arrows tune ‘Don’t Call My Name’. It’s not on soundcloud, and knowing what they’re like with shutting down accounts, I didn’t want to risk uploading it myself. The full tape is still available as a full stream and download though!
MAAMF – JULY ’14 MIX.
DOWNLOAD (Right Click/Save As)
Richard In Your Mind – Hammered
Tim Fitz – Sour
Straight Arrows – Don’t Call My Name
Bad//Dreems – My Only Friend
Laura Jean – Don’t Marry The One You Love
Klo – False Calls
Jack R Reilly – Collapse In One
Snowy Nasdaq – Lopsided Smile
Tora – Eat The Sun
Banoffee – Got It
Seekae – Test & Recognise (Flume Re-Work)
Lower Spectrum – Hex
Fractures – Won’t Win (Japanese Wallpaper remix)
BEST OF 2013 – TRACKS
Ok, so here we go. This thing is finally up.
I could go on about my year and how it’s been hard man, but this kid here is finding himself a little resolutionary so I is gonna stop with that ‘ahhhh phd’s are hard and everything else has suffered as a result’ line. This here is pretty simple. Got streams of all the tracks as well as a bloody mixtape with all of them in it n shit.
The tracks below are definitely not in any kind of order, that would be too hard. But, they are the tunes that received a hell of a lot of plays by both myself and you guys. So that’s kinda cool.
Freakin’ enjoy it you guys.
So this is my jam for a strange Sydney afternoon. Feels like it’s going to rain and it should be cold, but it’s instead still, and feels a little sticky, although according to the BOM it’s meant to be only 54% humidity.
Anyway, this ain’t no weather blog or somethin. This here be an Australian music blog. And Banoffee is killing me right now. The project of Martha Brown (otouto and general Two Bright Lakes fame), it is some nu-skool r’n’b that is minimal, not big, but still manages to make me feel like a little helpless, looking up in awe at the piece of work this is. It might be Martha’s voice, or the restrained nature of the production, or the fact that the clip for the song evolves from a confident musicalness into a strong female physical form.
Whatever it is, it’s working, and I’m now having trouble getting my work done.